Below is a bibliography of sources of inspiration and provocation, not absolute truth –  works cited in this website or otherwise related to Performer Science.

Konstantin Stansilavski, My life in art (1926), Routledge, London & New York 2008

Edgar Morin, Il metodo 3. La conoscenza della conoscenza (1986), Raffaello Cortina Editore, Milano 2007

Gregory Bateson, Mary Catherine Bateson, Angels fear: towards an epistemology of the sacred (1987), Hampton Press, Cresskill 2005

Jerzy Grotowski, ‘Performer’ (1990), in Richard Schechner, Lisa Wolford (eds.), The Grotowski sourcebook, Routledge, London & New York 2001, pp. 376-380

Francisco J. Varela, Evan Thompson, Eleanor Rosch, The embodied mind: cognitive science and human experience, MIT Press, Cambridge 1991

Fabrizio Cruciani, Registi pedagoghi e comunità teatrali nel novecento (e scritti inediti) (1995), Editoria e Spettacolo, Roma 2006

Humberto R. Maturana, Bernhard Poerksen, From being to doing: the origins of the biology of cognition, Carl-Auer Verlag, Heidelberg 2004

Carlo Sini, Le arti dinamiche: filosofia e pedagogia, Jaca Book, Milano 2004

John J. Schranz, The performer as act of faith (Rev.ed), John J Schranz & Groups for Human Encounters, Malta 2007

Richard Muscat, John J. Schranz, ‘What is it to be human? A theatre neuroscience perspective’, in Francesca Bortoletti (ed.) «Culture Teatrali», n. 16, primavera 2007, pp. 89-115

Alain Berthoz, Jean-Luc Petit, The physiology and phenomenology of action, Oxford University Press, Oxford & New York 2008


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